Sonsoles aranguren biography of barack

          Estrella (played as a Communion-age girl by Sonsoles Aranguren, and as a teenager, by Iciar Bollaín) is 15 on the night her father disappears.!

          El Sur (film)

          "The South (film)" redirects here.

          Sonsoles Aranguren is known for Broken Embraces (), The Skin I Live In () and The Cold Light of Day ().

          For other film, see South (disambiguation).

          This article is about the 1983 Spanish film. For other film, see Sur (disambiguation).

          1983 Spanish film

          El Sur (The South) is a 1983 drama film directed by Spanish filmmaker Victor Erice, who also wrote the screenplay.

          The film was produced by Elias Querejeta, and starred Icíar Bollaín as the adult main character. It is based on Adelaida García Morales' short novel of the same name.

          (Sonsoles Aranguren) is an 8-year-old only child who lives with her mother and father near a nameless walled city in the north of Spain.

        1. (Sonsoles Aranguren) is an 8-year-old only child who lives with her mother and father near a nameless walled city in the north of Spain.
        2. He has published and lectured on various aspects of Spanish and Latin American film and art history.
        3. Estrella (played as a Communion-age girl by Sonsoles Aranguren, and as a teenager, by Iciar Bollaín) is 15 on the night her father disappears.
        4. His film tells the story of a little girl (Sonsoles Aranguren) living somewhere in the north of Spain and fascinated by the secrets of the south seemingly.
        5. Documentary on the nation 'spain after the death of President Neto, leader of the Angolan Revolution.
        6. As in the novella, the film takes place solely in the north of Spain. However, the novella picks up where the screenplay leaves off, taking Estrella on a journey to the south of Spain. Elías Querejeta, the film's producer, decided not to allow the filming of the latter 90 minutes, which would have been filmed in the south.

          Querejeta attributed this to a lack of financing, although neither Erice nor the film's cinematographer, José Luis Alcaine, believed that was the reason. Erice felt the film was